ltd to 150 copis, vinyl only release
blossom kollektivs follow up to the widely successful sunset stories ep is finally here to allure music enthusiasts around the globe. this time around label co-founder jepe provides his first vinyl release since his early johnwaynes days, he has created a distinct blend of moody, uplifting and atmospheric house that binds together the three-track entry with a remix from david duriez.

after a critically acclaimed first release kim ann foxman returns to her firehouse imprint, inspired by her new york home with three more original tracks and two remixes from fellow new yorker eli escobar.

its with great pride (and a certain sense of defiance!) that tom and i present you with the 200th freerange release. despite the best efforts of three bankrupt distributors, an arsonist (who set the sony warehouse ablaze back in 2012) and a volatile market, we retained the fire in our bellies, a stiff upper lip, and most importantly an unrelenting passion for electronic music, we soldiered on and here we are at freerange 200!

nebraska is someone who’s tracks we’ve been loving for a good few years now and finally managed to pin him down for a release here on delusions of grandeur. the uk producer is something of an enigma, and despite some amazing releases on rush hour still remains resolutely underground and seems to keep his releases to a minimum, focusing on keeping the quality high rather than flooding the market with average material. once again, he brings the real deal with three drum-heavy warehouse jams to nice-up the dancefloor. aw-right (mute version) sets the tone with a raw house groove that keeps things stripped to the bare minimum. a bouncing bassline and rattling percussion break help to define the track but it’s the dusty, dubby approach to the mix which really makes the track shine. next up we have warp and weft, a similar sounding track but by dropping the bpm’s nebraska has created a sublime low-slung, bumpy groove to really move to. flipping over we’re treated to the brilliant eighty eights which will have you nodding your head like the churchill’s dog before you can say ‘looped up piano and bass one bar groove repeated for over eight and a half minutes shouldn’t work should it?’

blue husky ep is the first release of newborn humus records. the italy-based label starts with a three track ep by solstice, an emerging italian producer, featuring a remix by pinch. solstice delivers two groovy four on the floor tracks filled with lush synths, both comfortably in-between house and techno. pinch’s remix is an aggressive, dark dubstep track that gives the release a different spin

mojuba sub label a.r.t.less welcomes the munich techno duo trap10! after introducing and reintroducing prolific artists like stephen brown, jp enfant and fanon flowers its time for another addition to the a.r.t.less label roster! trap10 deliver three very convincing tracks for their debut ep showcasing the cornerstones of their sound. from straight peak-time action on the a-side to head-nodding & feet stomping funk infused techno with soul on the flip, dress to sweat!

the ep offers up three jacking cuts of the most pure, organic, raw, dusty, deep underground house music to date. what else could you expect from three germans who were weaned on a steady diet of detroit and chicago classics from the day they were born. after receiving an 808 for his 10th birthday, one member of the faceless trio was rumoured to have ghostwritten basslines for some of technos finest during the early 1990s.
italojohnson truly are * too deep underground.*

floatin slammin balotelli bazooks.

on their first ep released as a duo, they present three rather unconventional and diverse tracks.

300 copies only, dj support from midland, dam swindle, oneman, deetron...
the next release on rinse is the second in a series of three eps of gorgeous, punch-drunk house music from label regular rupert taylor, aka xxxy. the follow-up to last years acclaimed 18 hours, it is a further spiral inwards for the tripped-out, wistful style he has increasingly come to make distinctly his own, with clouds of arpeggiated synth notes and vapourised voice rolling atop pillow-soft, droning bass.

daniel savio - the swede who coined the term “skwee” back in 2006 when the first odd-sounding electro-funked and tempo-twirling 7inches came about from finland and sweden. his 6-track record for laton consists of true-to-the-game skwee sounds and rhythms incl. oriental-like melodies that has been penetrating the genre for years. harmonic in melody, diverse in tempo from the originator. laton presents some of the proprietors of skwee & the phenomenon of this fennoscandian sound with three different 12inches and a lp compilation. “holtiton” was originally released in 2012, limited and is back on demand.

limited edition! 300 copies worldwide. a new berlin-based label tooman records presents its debut release - an elegant three-track ep from quadrakey. deep, groovy and beautiful house music with a deep passion.

london-based producer and dj warren brown, also known as wbeeza, has written three exclusive tracks for arma at his studio in peckham. the psychosomatic ep is named after its intense, dancefloor-oriented title track and will be released on arma. the vinyl, with accompanying cover artwork created by moscow surritualist protey temen, will hit major online retailers in march 2015.

repitch recordings is pleased to present three new tracks from chicagos stave (j. krohn). *after the social* follows an ep on the irish imprint rensmat and lp on chicago based fss. the new ep continues exercises in foundsound, distortion, and repetition, *after the social* introduces a new challenge to the growing stave catalogue. in the same vein as his work with downwards recording duo talker, krohn continues with the drenched dark tones and distorted drums with this repitch release. influences of punk, metal, noise, detroit techno and ambient all combine to form an uneasy mix of melody and rhythm. the legendary downwards boss karl o connor offers a brilliant mix of *hardened chord* — using the original to create a 4/4 path of destruction.

behind the next release on meant records are italian duo boot & tax, a relatively new pairing made up of claudio brioschi and cristiancroce. here they serve up three great originals baced with a stellar remix from alien alien. before now, boot & tax have released two extremely well received eps on jd twitchs optimo trax and have also recently had their music licensed to erol alkans fabric live 77, so the pair are really on the up.

danish deep house talent paxton fettel unleashes three disco-infused house cuts through disco specialists apersonal music.

number three in prins thomas rett if fletta excursion welcomes our good friends from full pupp trulz & robin with change, a 10 minute deep techno buildup piece in a somewhat classic, almost trentemolleresque, soundscape + tradition. minimalistic but huge in a motoric wall of sound style long not heard. large! dunjon sets the counterpoint on b, bassdridden, sparse, bubbling sturdy grooving techno is dub comes back to the richer atmosphere of change for another hallcinating deep and dubby piece.

ra+re is a paris based female only record label created by three young women. the name of the label, ra+re records describes precisely the music it aims to represent: rare, underground, unique and meaningful. ra+re records aims to gather talented feminine artists that will spread their sound and sensibility all over the world. ra+re records is excited to present for its first various artists ep, vinyl only, the talented hellen mills, adina paun, stefny and eveline fink. the dark dubby minimal layers of the tracks combined to the microhouse sound pads give a complete club ep.

mesak, one of the proprietors of skwee, from turku finland with holtiton - his 6 track laton contribution. crafted productions with the classic broken-step, whiney synths & odd stabs known from the upfront-underworld of skwee. but on the 6-cut and very bass heavy plate theres also banging & head-nodding tracks directed towards the sonics of 8-bit chip sound. one of mesaks most quality-compiling releases to date. laton presents some of the proprietors of skwee & the phenomenon of this fennoscandian sound with three different 12inches and a lp compilation. valiant was originally released in 2012, limited and is back on demand

daze follows up his seminal lips white label with a huge three-track ep for the core lobster theremin label. traversing a bastardised series of themes that sees jersey house blended with overdriven rave, tinker-toy acid lines slicing through shrouded doom techno and chattering hip-hop loops rolling over classic breakbeat house.

two thrilling tracks and a bonus cd mixtape are three good reasons not to sleep on this.

three spaced out big-room originals by mono.xid and one banging remix by tresor resident krenzlin

the next release on the invariants contains three edits of tracks from the deep. the a side contains a chicago leaning version of middle eastern esotherics and a more techno dub version of the same track. on the flip are black metal synths combined with 90s strings in a live jam recorded slightly in the red. comes with two locked grooves to serve as a vessel for drumless tracks

• hotly anticipated fifth release from this brilliant label
• printed disco sleeve
blue hour s fifth release introspective continues to explore faster tempos in classic dance-floor fashion. bright atmosphere and emotive melodies compliment warm staccato drums over three tracks of effective techno.

jonny nash returns to melody as truth following his - phantom actors- ep. -exit strategies- puts nash s layered guitar textures at centre stage, further demonstrating his ability to draw emotion from the simplest of elements. a glimmering mini lp of lush and spacious compositions, surrounded by nash s own unique air and atmospheric touch. beautiful, tip!

veteran nyc synth master gavin russom joins l.i.e.s. with an outstanding three track ep. ... epic, tense, and driving russom goes for the throat crafting beautifully produced functional club tracks that teeter on the edge of the deepest psychedelic realm. with hints of many different electronic strains creeping into his productions, we get the full specturm and see this talented producer doing some of his best work in recent times, the hidden gem being the b-side s closing track, the telstar file.

all tracks reared in captivity and released into the wild by matt rivem at a secret location in the east midlands. from the woods of the east midlands - the goshawk arises with three slices of organically crafted - deep, underground house music. it was the epitome of a perfect match for us at kolour ltd and were pleased to finally let this bird loose.

theres no doubt that the apollonia trio are on fire, 2014 has been a whirlwind of berlin studio production, to reigning in ibiza, to dropping their debut album tour à tour to a rapturous reception. but straight back to the label with a new ep, they proudly present breaking talent diego krause. hailing from east berlin, krause already caused a stir amongst the heads with releases on his own label unison wax and co-owned beste modus, unison wax 02 swiftly landing itself a 4/5 on resident advisor and pricking up the ears of the apollonia boys. serving up three quality tracks very much in-keeping with apollonias own sound, you can easily imagine any one fitting perfectly into the later hours of their b2b2b sets. * right about now* establishes its presence with a powerful bassline and solid clap, before deep swirling synths enter, as does an echoing xylophone to truly euphoric effect. the slightly eerie, but mostly intoxicating, * dreams* brings a subtle groove and conjures up those early morning moments, while * manitu* the most peak-team of the three, is a bouncy number full of positive energy and a strong tech-house edge, that will go down a treat on any dancefloor

having spent three years tirelessly growing the la vie en rose label from strength to strength, championing avant-garde house music and helping launch the careers of fresh new talent, label boss terence:terry: now steps forward with a string of his own works. inspired by his blossoming collective and following his recent remix of marcos baiano on lvr015, * acid heroes* ep contains three original terry productions truly for the club.the title track enters in strong punchy form, concocting deep industrial vibes and sinister vocals that echo into the darkness, until, half way through, it takes a more upbeat turn, lifted by reverberating synth chords. * cliché* slaps a little harder with a pounding bass and clashing symbols, before warming up with female wails and woos. a short, sharp taste of chord jabs and the journey builds up to what seems like the climatic futuristic ending, before melting into softer territory and a much welcomed infectious kick, for that last lease of life. rounding off with the murky, splashing number * testing the water*, deep keys and the expert layering of techno effects equals a sublime underground house track, most certain to arouse the dancefloor. * acid heroes* is served as the perfect appetiser to get you salivating before * house couture* , the first compilation from terence:terry: on lvr, mixing producers past and present, as well as a handful of unreleased future-gems to come on the label.

our next big release at bad barbie, going out on digital and 12 inch, comes by the hand of aldo cadiz itself, but this time partnered with kareem cali. these two made a fantastic three track ep called monita ep. the first track monita presents a solid base created with a classic tech style and an extremely groovy bass line. full of small arrangements and a crazy vocal line, this tracks its perfect for any club dj. the second track bonita, is the one with the more old school vibe, from the bass line to the main acid synth, which goes evolving softly with a filter during the track to generate the needed tension. all this with a strong tech groove to follow the step of this solid ambience created by the acid synths. the last track moni, also has many techno and acid elements presents. we can perceive the techno soul mainly on the arrangement of the hi-hats and bass line, but the acid synth in triplet at the backend is what generates the crazy vibe and almost hypnotic feeling during the track, playing around with the volume of it. definitely a fantastic release to add to any collection.

• stunning ochre and black marbled double wax
• all copies come with free download featuring several extra tracks
• early support from ben sims, dave clarke, tommy four seven, mosca, dj pete, clouds, eomac, lakker, j.tijn, paul mac, mønic, manni dee.
• osiris music uk present e&#769,,,,migre&#769,,,, , the debut lp from label stalwart killawatt. it signifies three years of stylistic evolution in his sound, from the earlier spaced out percussive dubstep into a sub-bass centred amalgamation of electronica, techno and uk aesthetics.

dd kick off 2015 with a fresh 12- and this time its all about the drums! these three tracks span odd s signature minimal style whilst adding a hefty amount of bass weight. percussive nuances pop and creek whilst marble carved kick drums and slicing hats cut through the extensive textures. these are primed and ready club tools with added personality, an essential record!

repress without cover artwork - two years after his in a rush ep, lawrence is back on smallville with another release dedicated to the island of lunacy and love: manhattan! approved by visionary dancers from all around the globe, smallville41 presents three enthusiastic tracks- the pulsating tech-jazz ballad nowhere is a place, the title track featuring ghostly internationals most wanted heathered pearls and a particular forward stepping bouncer sending greetings from sten. the cover artwork shows stefan marxs favorite flower shop on hester street, manhattan.

valcrond video invites you into the world of helmers roccale. helmers second release picks up the pummel that began with his first 12inch, and continues the attack with three tracks of thoughtful, pulsing darkness.

absent ep produced by the spanish musician sendo, is the result of his lifelong passion for sci-films and the aim to translate these movies into sound. three tracks engaged into esoteric electronic and ambient-styled music. a very adventurous trip through utterly deep soundscapes and mysteriously rattling compositions with a cinematic approach.

yo! that is the music people listen to nowadays? yes, indeeeeed. get three tracks for just twenty-five bugs. comes in a fucking unexpected edition limited to hell, so you will need to know guys with the right connection to frank musics distribution. cool frank and rude mo from dreamy city champaign / illinois were used to produce local r&b pop music in the late 80s. these three cuts were found on mixtapes from the early 2010s next to new local r&b pop tracks. dont be en vogue, be frank.

head and feet are the three artists ivika, vladimir erdber, vlad macar based in belgrade, multiplying in their first release haf001, making the spectrum of electronic sound that feeds your head and moves your feet.

for those that knoe: a new label from the uk focusing on under the radar tracks recorded by unsung heroes, ripped from dusty dats and lovingly re-mastered and pressed onto vinyl for likeminded people and music collectors alike. after the success of caseys first chapter on for those that knoe, he returns with three more liquid techno tracks, unearthed from his 90s archive.

this ep by manchester native u.d.a. contains three orignials and a massive remix by toby t. you can t get around this as a vinyl lover. supported by: cezar, dewalta, nekes, archie hamilton, david gtronic, itettsu, meat, chris wood, stacey pullen, dubsons, jan golly, chicks luv us, emanuel satie, brett jacobs, atree, tolga top, mike menudo, re.you, derrick drakeford, mioh, dan drastic, marco carola, richie hawtin, steve lawler...

limited 2015 repress
gieglings generous prince of denmark presents the new ep under his alias traumprinz, who is quite well known these days for his singular and filthy vision of house music. paradise with a lobotomy expands the labels horizon towards to further individual interpretations of house and techno. for that traumpinz brought three more than diverse tracks straight from home, to reveal a bit more of his royal universe to all the techno-paparazzis.

happy skulls first release of 2015 comes from uk based artist creta kano, who first impressed with his 2013 debut on rotterdam’s pinkman records. he showcases his highly melodious and deeply textured sound across three tracks for the bristol imprint. *skyway motel* is an emotive, detroit inspired amalgamation of warm chords and rolling drum machine rhythms. the tracks romantic qualities are emphasised on *skyway 81*, a screwed, pitched-down version that re-casts the original as a serotonin fuelled slow jam. *false water* completes the package. a sprawling trip in to broken techno territory, reminiscent of 90s era rephlex.

kalakuta soul records come with a series of releases and new gems that surely will keep this year quite busy. after al kents killer joint that went by the title love & care, its cuttlefish & asparagus who once again deliver a strong three tracker made to work the hell out of every imaginable sound system. mainly known for their unforgettable work on black suns self-titled epic track, atlantis cuttlefish & asparagus deliver an a side that coulnt work any hip harder.

you know that mesmerizing feeling given to you by that very special girl or boy? the one with a sweet and peculiar face covered in freckles, even though the sun has been hiding since forever. one of those happy souls frolicking through life, excited as if every single day was the first. that very person who once turned your winter, into summer. the three swedes david günther and shakarchi & stranéus set the cheerful vibe on this yum002 record stubbornly released in the middle of the winter along with a hnny edit – to give you, that very same feeling.

this debut release takes the form of a various-artists three-tracker. a-side is benedikts kraft sein, a straightforward powerfunk stomper, generous with syncopated clap trickery and pounding kicks. through the industrial-tinted vibe, a game of filtered stabs and delayed resonances draws an enigmatic landscape.

after teaming up with sawlin to deliver a series of spacy texture works, dubbed foreign awake pt.1 & pt.2, subjected returns to electric deluxe this time in searing solo guise. known for his thundering, no-holds-barred basement style, which until foreign awake was kept purely to his cloistered vault series outlet, with dolor we see the industrial edges polished smooth in this rotund and rolling three-track ep.

eyetones second release features three club tracks fully equipped and tailor-made for today s dancefloor by one of the most talented yet elusive producers of the house scene.

after a stunning three part compilation released in the second half of 2014, dutch label field is back with another album project, this time from american producer christopher ernst, aka l estasi dell oro, who also records as penalune and is co-founder of the voodoo down label. before now, ernst has proved himself to be adept at crafting deep and atmospheric, excellently ambient techno on a range of labels. varying his tempos and textures, he does acid, raw stuff, tough beats and more industrial grooves. across this new 8-track album, all this and more is explored in captivating fashion. this is an expressive and expansive modern techno album from l estasi dell oro that is perfectly at home on the always interesting field label.

tight house tracks with spicy basslines reminiscent of old school chicago groovers. the healing company brings s/o/m, a long lost project from southern germanys legend sascha vucko. three strong and timeless tracks out of a obscure and deep southern dungeon.

after his l.i.e.s. debut, dj slugbug offers up a four track ep for the russian torrent bootleg label. while the title track is a massive electro cut sure to scorch floors. the three remaining cuts explore more tense and moody territories that explore more industrial and downtrodden house vibes that wouldn t be out of place at medusa s back in the day